An Environment for putting Digital Humanities Pedagogy in Place

poster / demo / art installation
Authorship
  1. 1. Elisabeth Burr

    Universität Leipzig

  2. 2. Elena Potapenko

    Universität Leipzig

  3. 3. Pascal Kovacs

    Universität Leipzig

  4. 4. Arámis Concepción Durán

    Universität Leipzig

Work text
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An Environment for putting Digital Humanities Pedagogy in Place

Burr
Elisabeth

Universität Leipzig, Germany
elisabeth.burr@uni-leipzig.de

Potapenko
Elena

Universität Leipzig, Germany
potep@rz.uni-leipzig.de

Kovacs
Pascal

Universität Leipzig, Germany
pascal_kovacs@yahoo.de

Concepción Durán
Arámis

Universität Leipzig, Germany
acduran@uni-leipzig.de

2014-12-19T13:50:00Z

Paul Arthur, University of Western Sidney

Locked Bag 1797
Penrith NSW 2751
Australia
Paul Arthur

Converted from a Word document

DHConvalidator

Paper

Long Paper

Pedagogy
Digital Humanities
working environment
learning-by-project
ontology
modeling

teaching and pedagogy
digitisation
resource creation
and discovery
knowledge representation
digital humanities - pedagogy and curriculum
linking and annotation
English

From Leipzig into the Romania
In our poster we present a digital working environment that has been built at Leipzig University in the framework of a project on the Neogrammarians and their influence on Romance linguistics.

The Project

The Neogrammarians were a group of young linguists, mostly based at the University of Leipzig, who in the late 19th century proclaimed the creation of a new school. This so-called
Leipziger Schule (Leipzig School) had a significant impact on linguistics in general. As their so-called Manifesto gave rise to the ‘Lautgesetzestreit’ (debate about the laws of sound change), which divided linguists all over Europe, the Manifesto together with texts written by its critics and defenders were chosen for digitalisation and annotation. At the same time, documents that would allow the positioning of the Neogrammarians were to be collected and integrated into the project. Scholarly works about the Neogrammarians and their importance for Romance linguistics were to be exploited with respect to questions like ‘Who are the members of the Leipzig School?’, ‘What is seen as their contribution to Romance linguistics?’, ‘Which Romance linguists were influenced by this school?’ etc. As the results of the project were to be presented to the public as soon as they became available, a website was to be set up.

(Digital) Pedagogy as Such Was Not Enough

The project started in 2007. During the following semesters we had to recognise, however, that text encoding and data modelling as such would not allow our students to understand the rationale behind such an activity (see also Rehbein and Fritze, 2012, 48). Furthermore, it became clear that environments like Moodle would not allow our students to gain experiences of what work on one and the same project over years really means and how their individual contribution could form an organic whole with the contributions of others.

The Web-Portal—A Collaborative Environment

The situation changed when we could actually start to think about building an environment that would allow us to integrate research, teaching, and learning as well as to present the results to the public. The most central aspect of this environment is TEI-Markup, because it integrates our sources with the information handling of the Portal.
In our poster we will not only explain the four levels where TEI-Markup plays an important role—texts, ontology, citations, and sources—but also demonstrate the administration of the sources (Figure 1):

Figure 1. Administration of sources.
the filtering of sources for relevant information and its extraction (Figure 2):

Figure 2. Administration of extracts from sources.
and the ordering of such extracted information into knowledge domains and the setting up of relations between them (Figure 3):

Figure 3. Visualisation of knowledge domains and their relations.

Conclusion and Future Perspectives
As this environment not only provides our students with the possibility

• To mark up texts collaboratively according to the TEI guidelines,
• To use this markup to link these texts with the information handling of the Web-Portal,
• To order the information extracted from different types of sources into knowledge domains, and
• To model the knowledge which is thus being created with respect to the research question,

but also to exploit the markup and the information gathered for the writing of new TEI-compliant scholarly texts and to publish them in the Web-Portal (Figure 4):

Figure 4. Scholarly texts written by the students.
we feel confident that this environment shows a possible way of how learning to do digital humanities and doing digital humanities research can be integrated, and thus the ‘antagonistic distinction between teaching and research’ that Hirsch talks about (2012, 5), can be overcome.

Bibliography

Brier, S. (2012). Where’s the Pedagogy? The Role of Teaching and Learning in the Digital Humanities. In Gold, M. K. (ed.),
Debates in the Digital Humanities. Minneapolis: University of Minnesota Press, pp. 390–401.

Hirsch, B. D. (2012). </Parentheses>: Digital Humanities and the Place of Pedagogy. In Hirsch, B. D. (ed.),
Digital Humanities Pedagogy: Practices, Principles and Politics. Cambridge: Open Book Publishers, pp. 3–30.

Mahony, S. and Pierazzo, E. (2012). Teaching Skills or Teaching Methodology? In Hirsch, B. D. (ed.),
Digital Humanities Pedagogy: Practices, Principles and Politics. Cambridge: Open Book Publishers, pp. 215–25.

Rehbein, M. and Fritze, Ch. (2012). Hands-On Teaching Digital Humanities: A Didactic Analysis of a Summer School Course on Digital Editing. In Hirsch, B. D. (ed.),
Digital Humanities Pedagogy: Practices, Principles and Politics. Cambridge: Open Book Publishers, pp. 47–78.

Rockwell, G. and Sinclair, S. (2012). Acculturation and the Digital Humanities Community. In Hirsch, B. D. (ed.),
Digital Humanities Pedagogy: Practices, Principles and Politics. Cambridge: Open Book Publishers, pp. 177–205.

Warwick, C., Terras, M. and Nyhan, J. (eds). (2012).
Digital Humanities in Practice. Facet Publishing, London.

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