Graduate Center of the City University of New York (CUNY Graduate Center)
This paper explores the possible applications of vector semantics in the branch of literary study known as Reception Theory. Specifically, this paper suggests that vector semantics can help us identify the shared “conceptual substrates” that identify and distinguish historically delineated publics; and, consequently, that vector-space models can enrich our understanding of a literary work’s changing reception over time, in terms of its conceptual, semantic, and aesthetic accessibility.
If this content appears in violation of your intellectual property rights, or you see errors or omissions, please reach out to Scott B. Weingart to discuss removing or amending the materials.
In review
Hosted at Carleton University, Université d'Ottawa (University of Ottawa)
Ottawa, Ontario, Canada
July 20, 2020 - July 25, 2020
475 works by 1078 authors indexed
Conference cancelled due to coronavirus. Online conference held at https://hcommons.org/groups/dh2020/. Data for this conference were initially prepared and cleaned by May Ning.
Conference website: https://dh2020.adho.org/
References: https://dh2020.adho.org/abstracts/
Series: ADHO (15)
Organizers: ADHO