University of Osaka
Introduction
This study aims to exploration of the seventeenth century Japanese authors’, Saikaku Ihara (c.1642–93), Dansui Hōjō (1663-1711) and Ichirōemon Nishimura (?-c.1696), writing style from a quantitative point of view.
Saikaku was a national author whose novels were published in seventeenth century in Japan. As he gained a national audience, Saikaku was pressured to write on demand and in great volume. At first, he wrote only one or two novels a year, however in the two years from 1687 to 1688 he published twelve books, with a total of sixty-two volumes. Saikaku’s style and approach also changed at this point (Shirane, 2004).
One recent hypothesis has stated that he wrote twenty-four novels, however it remained unclear which works were really written by Saikaku except
Kōshoku Ichidai Otoko (
“The Life of an Amorous Man”; 1682),
Shōen Ōkagami (
“The Great Mirror of Female Beauty”; 1684),
Kōshoku Ichidai Onna (
“The Life of an Amorous Woman”; 1686),
Kōshoku Gonin Onna (
“Love Stories about Five Women”; 1686), while research on his works has proceeded, these fundamental doubts about his authorship remain. Dansui was Saikaku’s student. Mori (1955) has argued that Saikaku’s novels are an apocryphal work mainly written by Dansui except
Kōshoku Ichidai Otoko. Many researchers have raised questions about the authorship of Saikaku's posthumous novels, because these novels were edited and published by Dansui after Saikaku’s death. Ichirōemon was known for imitating the work of Saikaku. However, Ichirōemon was too conscious of Saikaku, and tried to preserve the traditional style of
kana zoushi. Thus, Ichirōemon’s novels were nothing like as good as Saikaku’s (Nishimura bon shōsetsu kenkyukai ed., 1985).
Previous studies
In our previous studies, we have analyzed Saikaku and Dansui’s novels, and have clarified the following points by extracting their writing style using principal component analysis and cluster analysis: (1) A comparison of the Saikaku and Dansui’s novels showed ten prominent features: the grammatical categories, words, nouns, particles, verbs, adjectives, adverbs, adnominal adjectives, grammatical categories bigrams and particle bigrams (Uesaka, 2015, 2016); and (2) Using these features, we analyzed Saikaku's four posthumous novels. We found these four posthumous works indicated same features of Saikaku’s novel, therefore we concluded that most part of these four posthumous novels belonged to Saikaku (Uesaka・Murakami, 2015ab, Uesaka, 2016).
In this study, we explored among Saikaku, Dansui and Ichirōemon using a quantitative approach to inspect a relationship of their works.
Data for this study
We used Saikaku’s twenty-four works digitized from
Shinpen Saikaku zenshū (
The Complete Collection of Saikaku (New Edition)), Dansui’s three works digitized from
Hōjō Dansui shū (
The Collection of Hōjō Dansui) and Ichirōemon’s five works digitized from
Nishimura Bon Shōsetsu Zenshū (
The Complete Collection of Nishimura Novels). Since Japanese sentences are not separated by spaces, we used Mecab-0.996 and Unidic for early modern spoken Japanese (share-bon) made by Center for Corpus Development, National Institute for Japanese Language and Linguistics in this study.
Table1. Title of three authors’ novels
Author Title
Saikaku
Kōshoku ichidai otoko
Saikaku
Shōen ōkagami
Saikaku
Wankyū issei no monogatari
Saikaku
Kōshoku gonin onna
Saikaku
Kōshoku ichidai onna
Saikaku
Saikaku shokoku hanashi
Saikaku
Honchō nijyū hukō
Saikaku
Nanshoku ōkagami
Saikaku
Budō denraiki
Saikaku
Kōsyoku seisuiki
Saikaku
Hutokoro suzuri
Saikaku
Nihon eitaigura
Saikaku
Irozato mitokoro setai
Saikaku
Bukegiri monogatari
Saikaku
Arashi ha mujyō monogatari
Saikaku
Shin kashōki
Saikaku
Honchō nijyūhukou
Saikaku
Seken mumezanyō
Saikaku
Ukiyo eiga ichidaiotoko
Saikaku
Saikaku okimiyage
Saikaku
Saikaku oridome
Saikaku
Saikaku zokuturezure
Saikaku
Yorozu no humihougu
Saikaku
Saikaku nagorinotomo
Dansui
Chuya yōjin ki
Dansui
Budō hariai ōkagami
Dansui
Shikidō ōtuzumi
Ichirōemon
Otogi bikuni
Ichirōemon
Sōgishokoku monogatari
Ichirōemon
Sayogoromo
Ichirōemon
Shin otogibōko
Ichirōemon
Shinchikusai
Analysis and results
In this study, we compared Saikaku, Dansui, and Ichirōemon by the word, particles, particle bigrams, character unigram, character bigrams and character trigrams using principal component analysis (PCA) to see the differences in each author.
We conducted PCA and each authors depicted independently in the words (see Figure 1), Japanese particles (see Figure 2), Japanese particle bigrams (see Figure 3), character unigram (see Figure 4), character bigrams (see Figure 5) and character trigrams (see Figure 6).
Figure 1. PCA results for the word
Figure 2. PCA results for the particles
Figure 3. PCA results for the particle bigrams
Figure 4. PCA results for the character unigram
Figure 5. PCA results for the character bigrams
Figure 6. PCA results for the character trigrams
Discussion and conclusion
When comparing the words, Japanese particles, Japanese particle bigrams, character unigram, character bigrams and character trigrams using PCA, Saikaku, Dansui and Ichirōemon’s novels made each groups. Moreover, as said in qualitative research, Saikaku and Dansui’s novel shown closer and Ichirōemon shown different characteristics, especially Sayogoromo. We on-going digitize Dansui, Ichirōemon and the other writers text data. In the future analysis, we will add works and the other writers for comparisons the relationship of the seventeenth century Japanese authors works.
Bibliography
Shirane, H. (2004). Early Modern Japanese Literature: An Anthology 1600–1900. New York: Columbia University Press.
Mori, S. (1955). Saikaku to Saikaku Bon (“Saikaku and Saikaku’s Novel”). Tokyo:Motomotosha Publishing.
Nishimura Bon Shōsetsu Kenkyukai ed. (1985). Nishimura Bon Shōsetsu Zenshū jō and ge:Tokyo: Bensei Publishing Inc.
Shinpen Saikaku Zenshu Henshu Inkai ed. (2000~2007). Shinpen Saikaku Zenshu vol.1 to 5. Tokyo: Bensei Publishing Inc.
Noma, K. and Yoshida, K ed. (1980). Hōjō Dansui shū vol.1 to 4. Tokyo: Kotembunko.
Uesaka, A. (2015). “A Quantitative Comparative Analysis for Saikaku and Dansui’s Works.” Japan-China Symposium on Theory and Application of Data Science. pp.41-46. Kyoto:Doshisha University Faculty of Culture and Information Science.
Uesaka, A.& Murakami, M. (2015a). “Verifying the Authorship of Saikaku Ihara’s Work in Early Modern Japanese Literature: A Quantitative Approach.” Digital Scholarship in the Humanities. 30(4). pp.599~607. Oxford: Oxford University Press.
Uesaka, A.& Murakami, M. (2015b). “A Quantitative Analysis for the Authorship of Saikaku’s Posthumous Works Compared with Dansui’s Works.” Digital Humanites2015: Conference Abstracts. Sydney: The University of Western Sydney. pp. 359–60.
Uesaka, A. (2016). Saikaku Ikōshu no Chosha no kentō (“Verifying the Authorship of Saikaku’s Posthumous Works”). pp187-263. In: The Computational Authorship Attribution. Tokyo: Bensei Publishing.
Uesaka, A. (2017). “Verifying the Authorship of Saikaku Ihara’s Arashi ha Mujyō Monogatari in Early Modern Japanese Literature: A Quantitative Approach.” Digital Humanites2017: Conference Abstracts. Montreal: McGill University and the Université de Montréal.
Toshinobu Ogiso, Mamoru Komachi and Yuji Matsumoto. Morphological Analysis of Historical Japanese Text, Journal of Natural Language Processing, Vol.20, No.5, pp.727-748 (2013).
MeCab: Yet Another Part-of-Speech and Morphological Analyzer. http://taku910.github.io/mecab/ (accessed 2018-11-26).
Unidic: Electronic Dictionary with Uniformity and Identity.(2017). http://unidic.ninjal.ac.jp// (accessed 2018-11-26).
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In review
Hosted at Utrecht University
Utrecht, Netherlands
July 9, 2019 - July 12, 2019
436 works by 1162 authors indexed
Conference website: http://staticweb.hum.uu.nl/dh2019/dh2019.adho.org/index.html
References: http://staticweb.hum.uu.nl/dh2019/dh2019.adho.org/programme/book-of-abstracts/index.html
Series: ADHO (14)
Organizers: ADHO